巴尔扎克纪念馆
3.5
上午10:00 - 下午6:00
星期二
上午10:00 - 下午6:00
星期三
上午10:00 - 下午6:00
星期四
上午10:00 - 下午6:00
星期五
上午10:00 - 下午6:00
星期六
上午10:00 - 下午6:00
星期日
上午10:00 - 下午6:00
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体验“巴尔扎克纪念馆”和附近景点的最佳方式
区域
地址
区域: 巴黎十六区 (16th Arr.) - 帕西 (Passy)
如何到达
- Ave du Président Kennedy • 步行 4 分钟
- Ave du Président Kennedy • 步行 4 分钟
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3.5
140 条点评
极佳
38
非常好
49
一般
36
较差
7
很糟糕
11
这些点评是从原始语言自动翻译而来的。
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Sandra D
伊利诺伊州芝加哥264 条分享
2024年4月 • 好友
The house is very interesting and is informative about a famous author. Even if you aren't a fan the house is worth the visit.
撰写日期：2024年5月5日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
CallesEscamilla
墨西哥蒙特雷30 条分享
2023年12月 • 家庭
Excellent option if you like Balzac, obviously. That's why I gave it five stars. I'm a fan of the writer and I understand French, so I really enjoyed the visit. If you don't speak French and you don't like the writer, you won't like the place: it's small and it's not really a house, because you don't see the bed, the dining room, the living room, but there is the workspace, the kitchen. and the rest are pieces from the author's time (a bust of Balzac sculpted by Rodin, for example, among others).
撰写日期：2024年3月22日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
gerald e
西班牙巴塞罗那1,120 条分享
2024年2月 • 好友
What a shame that all the quotes about Honoré de Balzac in the first two pieces are not visible, as interesting as they are. Will you believe it? Some have been partially hidden with busts, windows, etc. so that it is impossible to appreciate all the salt!!!
The exhibition on Daumier and contemporary caricature is a little sparse and looks a lot like bait to attract customers. We have more and more the impression that certain exhibitions taking place in the officially free museums of Paris exist only to charge the visitor because they seem improvised with pieces of string. This is really the case here!!!!
Few drawings by Daumier and even fewer paintings, let's not talk about contemporary caricatures whose interest, with two exceptions, is derisory!
The exhibition is therefore expensive for the pittance offered!!!
The lockers at the entrance do not open and the ticket sales agent has to stop (and you have to wait) for the locker to be opened!!!
The exhibition on Daumier and contemporary caricature is a little sparse and looks a lot like bait to attract customers. We have more and more the impression that certain exhibitions taking place in the officially free museums of Paris exist only to charge the visitor because they seem improvised with pieces of string. This is really the case here!!!!
Few drawings by Daumier and even fewer paintings, let's not talk about contemporary caricatures whose interest, with two exceptions, is derisory!
The exhibition is therefore expensive for the pittance offered!!!
The lockers at the entrance do not open and the ticket sales agent has to stop (and you have to wait) for the locker to be opened!!!
撰写日期：2024年3月7日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
Frédérique W
2 条分享
2024年2月 • 夫妻情侣
The Balzac house offers charms and riches around the writer. It's a shame that the reception is detestable: at the ticket office, haughty staff, very unmotivated and almost contemptuous of visitors who don't get answers to their questions. And it's not a caricature!!
撰写日期：2024年2月20日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
ParisRimouski
法国林畔丰特奈107 条分享
2024年2月 • 夫妻情侣
Quite disappointed with this museum, entry fee of 9 euros because temporary exhibition in 3 small rooms.
Just a large armchair where Balzac worked, very poor in furniture.
Just a large armchair where Balzac worked, very poor in furniture.
撰写日期：2024年2月3日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
JRM
加拿大Penetanguishene116 条分享
2023年8月 • 家庭
The "Maison Balzac" should be of interest to any student or fan of 19th century French literature. The enigmatic writer penned much of his Comedie Humaine at this location in the now fashionable Passy quartier of western Paris. The narrow hallways and compact rooms make for a tight squeeze; but the dwelling is both manageable and charming. The tour is also pleasantly underwhelming: the exhibits and displays are easily digestible, allowing the visitor to enjoy a complete visit in less than 45 minutes. The highlight for most is Balzac's writing table and chair, basic and functional, but evocative nonetheless. Very easy to combine a visit here with one to the nearby Musee Marmatton Monet. To top it all off, the Maison Balzac is free!! Not a can't miss to be sure but an interesting, informative and rewarding diversion off the beaten track.
撰写日期：2023年8月30日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
Gérard G
85 条分享
2023年8月 • 夫妻情侣
LITTLE-KNOWN, BALZAC’S HOUSE IN PASSY IS REALLY WORTH A VISIT.
It’s crazy how with few objects and in a place modest in its size and prestige, you can do a lot! This is a successful and remarkably successful bet by the city of Paris which, moreover, opens the doors of this museum free of charge to the public. All admirably received by the museum staff.
The site is strange because Passy is no longer the village that Balzac knew, overrun as it is today with blocks of buildings. You tell yourself as you pass the door of the house of the writer of Lost Illusions that you are bound to be disappointed. How can we restore an atmosphere and the memory of a man from the first half of the 19th century, in a totally different environment, in this enclave of a house with its garden, surrounded by modernity?
Perhaps we need to know a little about the era and the literature of our great writers of the 19th century, such as Hugo, Gautier, Sand, Stendhal. Because surprisingly, the miracle happens. Not immediately after passing the door where large, remarkably elaborate panels welcome you, presenting the writer and his house. But, slowly, passing from room to room, you are taken by the presence of this extraordinary and terrible observer of his time, of his contemporaries, of their failings, their smallness as well as their greatness. The successive panels are perfect. They alternate between evocations of daily life (like the moving coffee maker that accompanied him throughout the day while he worked 12 to 15 hours a day), of his intellectual friends, of his corrections of texts including some repeated almost the entire text. He had in fact chosen this apartment to correct the final proofs of his Comédie humaine from 1840 to 1847.
"From the moment you receive this letter, write to me at the following address: M. de Breugnol, rue Basse, n°19 in Passy, near Paris. I am here, hidden for a while (...) I had to move very quickly and shove myself where I am." These assumed names had become necessary to escape his creditors, like a small door which allowed him to possibly escape via another street. For a previous house, in Chaillot, occupied from 1835 to 1838, he had used a feminine pseudonym "Veuve Durand", he is now "Monsieur de Breugnol".
The highlight of the visit is undoubtedly the study in which he lived for hours and days. A very small room overlooking the garden. No books, but a small, very small walnut desk at which he worked. The deposits of excess ink that his pen retained are still visible (see photo). The armchair is there, with its neo-Louis XIII style popular at the time and yet so uncomfortable. And then, there are its fragments of letters which dot the walls and which the museum curators chose with talent and precision. They bring the tortured man back to life, full of humor and overcome with love for this beautiful Polish woman, Ève Rzewuski (Ms. Hanska) whom he met briefly for the first time in Neufchâtel (Geneva) and whom he married in 1850 before dying five months later. The correspondence they exchanged is an infinite mine of information and chronicles on the literary and social life of the time.
We leave this place moved, transported into this other world of another era, swearing that we will resume reading his work, so dense, so rich, so eternal because of what it says about the human race. In the garden, the magical effect reached other visitors. Some are with a book in hand, in a corner of the garden, others, sitting on a bench, shoes off and heads back, looking at the sky, still others walking slowly in these few square meters of flower beds, tempting by the slow pace to appropriate the place. This is undoubtedly the miracle of writing by geniuses. It carries you away and takes you elsewhere; far from the surrounding blocks of buildings which then completely disappeared.
Would you like to have opinions and comments on an exhibition, a film, a museum or a cultural site linked to history?
On the “CULTURE AVIS” Facebook page, Gérard GEIST provides personal insight, without tongue-in-cheek, on cultural news.
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FB: Gérard Geist
It’s crazy how with few objects and in a place modest in its size and prestige, you can do a lot! This is a successful and remarkably successful bet by the city of Paris which, moreover, opens the doors of this museum free of charge to the public. All admirably received by the museum staff.
The site is strange because Passy is no longer the village that Balzac knew, overrun as it is today with blocks of buildings. You tell yourself as you pass the door of the house of the writer of Lost Illusions that you are bound to be disappointed. How can we restore an atmosphere and the memory of a man from the first half of the 19th century, in a totally different environment, in this enclave of a house with its garden, surrounded by modernity?
Perhaps we need to know a little about the era and the literature of our great writers of the 19th century, such as Hugo, Gautier, Sand, Stendhal. Because surprisingly, the miracle happens. Not immediately after passing the door where large, remarkably elaborate panels welcome you, presenting the writer and his house. But, slowly, passing from room to room, you are taken by the presence of this extraordinary and terrible observer of his time, of his contemporaries, of their failings, their smallness as well as their greatness. The successive panels are perfect. They alternate between evocations of daily life (like the moving coffee maker that accompanied him throughout the day while he worked 12 to 15 hours a day), of his intellectual friends, of his corrections of texts including some repeated almost the entire text. He had in fact chosen this apartment to correct the final proofs of his Comédie humaine from 1840 to 1847.
"From the moment you receive this letter, write to me at the following address: M. de Breugnol, rue Basse, n°19 in Passy, near Paris. I am here, hidden for a while (...) I had to move very quickly and shove myself where I am." These assumed names had become necessary to escape his creditors, like a small door which allowed him to possibly escape via another street. For a previous house, in Chaillot, occupied from 1835 to 1838, he had used a feminine pseudonym "Veuve Durand", he is now "Monsieur de Breugnol".
The highlight of the visit is undoubtedly the study in which he lived for hours and days. A very small room overlooking the garden. No books, but a small, very small walnut desk at which he worked. The deposits of excess ink that his pen retained are still visible (see photo). The armchair is there, with its neo-Louis XIII style popular at the time and yet so uncomfortable. And then, there are its fragments of letters which dot the walls and which the museum curators chose with talent and precision. They bring the tortured man back to life, full of humor and overcome with love for this beautiful Polish woman, Ève Rzewuski (Ms. Hanska) whom he met briefly for the first time in Neufchâtel (Geneva) and whom he married in 1850 before dying five months later. The correspondence they exchanged is an infinite mine of information and chronicles on the literary and social life of the time.
We leave this place moved, transported into this other world of another era, swearing that we will resume reading his work, so dense, so rich, so eternal because of what it says about the human race. In the garden, the magical effect reached other visitors. Some are with a book in hand, in a corner of the garden, others, sitting on a bench, shoes off and heads back, looking at the sky, still others walking slowly in these few square meters of flower beds, tempting by the slow pace to appropriate the place. This is undoubtedly the miracle of writing by geniuses. It carries you away and takes you elsewhere; far from the surrounding blocks of buildings which then completely disappeared.
Would you like to have opinions and comments on an exhibition, a film, a museum or a cultural site linked to history?
On the “CULTURE AVIS” Facebook page, Gérard GEIST provides personal insight, without tongue-in-cheek, on cultural news.
Subscribe.
FB: Gérard Geist
撰写日期：2023年8月29日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
Yazou
4 条分享
2023年6月 • 商务型
Je sors ravie de la visite de ce lieu magique, imprégné de l’œuvre de Balzac et des artistes qui l’ont aimé et s’en sont inspiré. Ce fut l’occasion de voir les les œuvres concourant au prix Balzac, 2023. Une merveille de diversité.
À voir absolument.
Le directeur de cette maison, un passionné poursuivant l’objectif de promouvoir l’auteur et son œuvre dite contemporaine à raison m’a donné l’illusion tellement il arborait la permanence de l’auteur qu’au détours d’une rue, je croiserais peut être mon auteur fétiche, fuyant quelques créanciers par une ruelle étroite…Merci
À voir absolument.
Le directeur de cette maison, un passionné poursuivant l’objectif de promouvoir l’auteur et son œuvre dite contemporaine à raison m’a donné l’illusion tellement il arborait la permanence de l’auteur qu’au détours d’une rue, je croiserais peut être mon auteur fétiche, fuyant quelques créanciers par une ruelle étroite…Merci
撰写日期：2023年6月2日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
Yana
772 条分享
2023年3月 • 独自旅游
Этот музей никто не будет посещать в первые приезды в Париж, только если вы не фанат писателя и его произведений. Но если вы хотите контраста с большими музеями, насыщенными туристами, то можно уделить совсем немного времени и зайти на "огонек" к известному писателю. Музей находится в очень скромном доме, где он жил, в 16-м богатом округе, поэтому смотрится еще контрастнее. Рядом расположен небольшой садик, он очень милый. Так и представляешь, что когда-то за чашкой чая или бокалом вина, смотря вдаль на город, писатель задумывал сюжет очередного своего произведения. Экспозиция внутри очень небольшая, но для любителей его творчества интересная. Любопытная деталь - дом имеет запасной выход на другую улицу, так писатель спасался от кредиторов. Вход бесплатный. Туристов практически нет.
撰写日期：2023年4月15日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
Amelie S
法国Jonzac962 条分享
2023年2月 • 独自旅游
Maison entourée d'immeuble bien plus agréable sûrement à l'époque. C'est gratuit ça mérite un petit détour. On a passé un moment agréable bien que ne connaissant rien sur sa vie.
撰写日期：2023年2月4日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
Pour votre info, la visite est gratuite. Pourquoi postez-vous des informations erronées?
撰写日期：2018年7月4日
Bonjour,
Avez-vous bien lu mon titre "Lieu évocateur et visite gratuite !" pour cette charmante maison de Balzac ?...
Je ne comprends votre remarque désobligeante : où est-ce que j'indique que ce musée est payant ?
Cordialement.
撰写日期：2018年7月6日
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