佛罗里达大歌剧院
4.5
体验附近景点的最佳方式
区域
地址
如何到达
- Museum Park • 步行 3 分钟
- Adrienne Arsht Center • 步行 4 分钟
附近的最佳景点玩乐
餐厅
在 ＃ 公里范围内共找到 1,279 个地点
景点
在 ＃ 公里范围内共找到 379 个地点
4.5
72 条点评
极佳
49
非常好
17
一般
6
较差
0
很糟糕
0
Pyramidion
佛罗里达博卡拉顿1,306 条分享
2022年7月
FGO at Broward center is back on track with the 2022/23 season. Gianni Schicchi, Tosca and Barber of Seville make for a totally enjoyable and entertaining season. I recommend an early subscription booking for good seats and a great price.
撰写日期：2022年7月10日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
Enrique H
2 条分享
2020年4月
Acudir a las presentaciones de la ópera de la Florida es una gran experiencia ,buena organización en el teatro,magníficos cantantes, y en general un disfrute al máximo del espectáculo ,esperamos la continuación de las presentaciones,gracias por su existencia Enrique Hernandez Tirse
撰写日期：2021年3月24日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
RanCar
New york34 条分享
2018年1月
Having had attended other performances this season, I must say this performance was a disappointment. The strength of the performers voices were below the music. It was extremely difficult to even hear them sing. The scenery and the costumes were excellent. The dancing, which is the key highlight of this opera, was weak and the auxiliary dancers to Salome were poorly rehearsed.
While I am a big supporter of the Florida grand Opera, I was not satisfied with this performance.
While I am a big supporter of the Florida grand Opera, I was not satisfied with this performance.
撰写日期：2018年1月30日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
Gilberto O
佛罗里达迈阿密237 条分享
2017年11月 • 好友
Celebrating its 77th anniversary (2017) this Opera company performances are located at the beautiful Sanford Ziff Opera house in downtown Miami, part of the Adrianne Arsht Center for the Performing Arts. Check out the architecture and décor. Performances and staging are world class. We saw a performance of Lucia Di Lammermoor and the production was rather modern and minimalist. Both the singers and the live orchestra were very good. Pricing for the performance, food and bar seemed in line with everything being offered. You can valet at the Opera House or park for less money at nearby parking lots.
If you are an opera lover or just wish to have a full understanding of the performance, you MUST show up an hour before the curtain rises to listen to Mr. Justin Moss. He gives a very complete narrative and explanation of the Opera being presented. His love for this art form is undeniable, while his understanding and knowledge of opera, diction and presentation are nothing short of first rate. Very strong recommendation. The whole thing is truly a beautiful musical experience.
If you are an opera lover or just wish to have a full understanding of the performance, you MUST show up an hour before the curtain rises to listen to Mr. Justin Moss. He gives a very complete narrative and explanation of the Opera being presented. His love for this art form is undeniable, while his understanding and knowledge of opera, diction and presentation are nothing short of first rate. Very strong recommendation. The whole thing is truly a beautiful musical experience.
撰写日期：2017年11月15日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
Andrew J
佛罗里达劳德代尔堡85 条分享
2017年5月 • 独自旅游
FGO has become an important name in regional opera. The quality of performers and performances has only improved over time, and their outreach in the South Florida region--not just Miami--has been steady. I look forward to more performances from this great arts company.
撰写日期：2017年8月8日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
HerminioPaschoal
139 条分享
2017年5月
Belo e moderno edifício cultural. Poltronas amplas com excelente visibilidade em qualquer ponto. Vale o esforço que a equipe e diretoria artística estão fazendo, porém as produções ainda são um tanto fracas, carecem de experiência tanto artística quanto técnica. Os cantores convidados ainda permanecem no nível médio, a orquestra razoável e a grande decepção fica por conta dos cenários e guarda-roupa bem aquém do razoável.
Assisti lá a última produção de Un Ballo in Maschera.
Assisti lá a última produção de Un Ballo in Maschera.
撰写日期：2017年5月17日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
RanCar
New york34 条分享
2017年5月 • 夫妻情侣
Being a born and bred NY Metropolitan Opera and NYS Opera adolescent, I humbly have to say the Miami Opera was an huge positive surprise.
Costumes, actors, staging, music, and voice ranges were all excellent! A great way to spend and evening.
Highly recommended.
Then only room for improvement maybe in the speed that the scenery is changed between scenes, not the acts, the scenes.
The FGO has done an amazing job. If you can go, do it. A great way to spend an evening.
Costumes, actors, staging, music, and voice ranges were all excellent! A great way to spend and evening.
Highly recommended.
Then only room for improvement maybe in the speed that the scenery is changed between scenes, not the acts, the scenes.
The FGO has done an amazing job. If you can go, do it. A great way to spend an evening.
撰写日期：2017年5月1日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
Mermaid781
佛罗里达迈阿密52 条分享
2016年1月 • 好友
My friend invited me to see the Opera at the Arsht Center in downtown Miami. I had not gone for years and she had a wonderful ticket in the orchestra section where we heard a fantasticscore of music for the opera "Norma". I did not know much about this but was so pleased it was a fantastic performance with very strong voices and the lead Norma played by Mary Elizabeth Williams was incredible. Her range and strength and stamina was unforgettable. The nice part about this was before the opera we are given an overview of it, if you arrive early at 7 and then after the performance we are invited to stay and talk with some of the actors. It found it so exciting and enlightening. Norma was quick moving, a love triangle tragedy, but very well done by all. Can't wait to see other operas as well. The conductor Anthony Barrese, was very passionate and made the music soar...an added plus. A wonderful night out!
撰写日期：2016年2月8日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
Eugene W
佛罗里达北迈阿密海滩51 条分享
2016年1月 • 夫妻情侣
Total disclosure: I do not take OPERA lightly. I moved to Miami after almost 20 years of subscribing at the Met, where I experienced magnificence and magnificent failures. The fact that I feel free to compare my Met experiences with my FGO experiences should tell you how really excellent the FGO productions generally are.
I attended last night's penultimate performance of NORMA and I am still flying high from the experience. There was so much great about the production/performance that I am unsure where I want to begin...
OK, I'll start with a very pleasant surprise even before the opera began. I always arrive early for the most excellent pre-show talk by Justin Moss. I greatly appreciate that in his talks Justin Moss does not merely parrot what is printed in the program notes. His talks are full of his personal remembrances of productions and singers which leave me wondering how old he is and how can he be everywhere at once?
While reading the program insert before JM's talk I saw that Craig Colclough would be singing Oroveso in place of the scheduled Burak Bilgili. I remember CC from when he was part of the Young Artist's program at FGO. He was amazing -- truly able to sing toe-to-toe with the soprano Mary Elizabeth Williams. He has sung the part before and was well prepared to step in on 4 days notice. What is truly amazing is that the FGO production includes the alternate aria composed by Richard Wagner which CC had to learn practically overnight! Well done! It was a highlight in an evening crowded with highlights.
Speaking of which, the Young Artists Program could very accurately be called the Future Stars Program. I have been told by some participants that the FGO YAP is second in prestige only to the YAP at the Met. I have heard the YAs in concerts, including at a most difficult venue -- the Aventura Mall. They were able, by dint of their excellence, to actually stop some shoppers from their rabid consumerism! I have performed with some of the YAs in concert with Orchestra Miami and they are as nice as they are talented.
On a personal note, I am looking forward to The Passenger this coming April. In that same concert I sang (behind) Robynne Redmon who is making her FGO debut as the Old Woman. I am very excited to see/hear her again!
I left the Arscht last night wondering why there were signs warning of strobe lights and pyrotechnics during the performance. It wasn't until this morning that I understood they were referring to VOCAL pyrotechnics -- and they were in abundance!
Mary Elizabeth Williams and Catherine Martin set the night on fire. As solo singers there was not a moment in which they did not sparkle. And, as Justin Moss pointed out, in Bellini (unlike Wagner) there is no place for the singers to hide in a cloud of sound. The glorious singing floated out to the house with power, emotion, and excellence throughout each aria. MEW sang a divinely inspired Casta Diva (and I heard Sutherland at the Met). We could have gone home satisfied after that, but I'm glad we didn't. The inspiration continued for another two hours!
Then, when you think you've heard it all, MEW and CM sing the overlapping double aria and took my breath away. THEN, when you think you've heard everything that can be done with human voices, they sing a duet over the sleeping (almost dead) children that sucked all the air out of the room. I was exhausted when they were done.
Pollione (Frank Porretta) did a passable job. He was the only lead who could not ( at least DID not) fill the house with glory. He was (at times) covered by the orchestra. Even worse, when he sang what should have been a powerful duet with MEW, he could just as well mouthed the words for all he could be heard.
About the production -- I am not always impressed by the productions at FGO, especially the lighting. The use of backlighting during Luisa Fernanda and The Consul was much more annoying than effective. Last night the lighting was as much a stellar character as any of the singers.
The use of color and shadow to set the proper tone and indicate a change of time was magnificently done. Thomas Hase deserved a place in the curtain calls! The unmuted colors matched the vocal fireworks perfectly. The sharp demarcations between light and shadow were beautifully executed. Especially I want to mention when Adalgisa crossed from the light into darkness (was she turning evil?) and was immediately lit by a spotlight -- a true indication of her innocence in the midst of the lies surrounding her. Fabulous!
The other great moment in lighting design occurred at the very end of the night -- As Norma and Pollione walked toward the pyre, their personae lost all color and became shadows (or shades, as Shakespeare would put it), foreshadowing (no pun intended) that there would be no further plot twists to save them for a happy ending. I was in awe.
Now -- I have to say I am disgusted with the community's response to FGO. Where are the people? These wonderful performances are woefully underattended. I feel sorry for the performers singing their hearts out to empty houses which makes even hearty applause seem sparse. I wish I could offer the suggestion of a solution.
Certainly the cost of a ticket is not outrageous. Season subscriptions for my partner and I (together) are less than a ticket for a single performance at the Met. Even better, our season tickets to FGO are less than what I had to pay to park my car at the Met for a single performance -- and my car did not even like opera!
We met with Max Kellogg regarding "Say Yes to Opera." We told him that the FGO performances are very underpriced. Tickets for the same performances at the Broward Center cost more. FGO should at least bring the Arscht prices to parity with the Broward Center. And yes, my partner made a pledge to SYTO. We chuckle each time we see his name in the program insert!
OK, Miami -- get your butts into these seats!
I attended last night's penultimate performance of NORMA and I am still flying high from the experience. There was so much great about the production/performance that I am unsure where I want to begin...
OK, I'll start with a very pleasant surprise even before the opera began. I always arrive early for the most excellent pre-show talk by Justin Moss. I greatly appreciate that in his talks Justin Moss does not merely parrot what is printed in the program notes. His talks are full of his personal remembrances of productions and singers which leave me wondering how old he is and how can he be everywhere at once?
While reading the program insert before JM's talk I saw that Craig Colclough would be singing Oroveso in place of the scheduled Burak Bilgili. I remember CC from when he was part of the Young Artist's program at FGO. He was amazing -- truly able to sing toe-to-toe with the soprano Mary Elizabeth Williams. He has sung the part before and was well prepared to step in on 4 days notice. What is truly amazing is that the FGO production includes the alternate aria composed by Richard Wagner which CC had to learn practically overnight! Well done! It was a highlight in an evening crowded with highlights.
Speaking of which, the Young Artists Program could very accurately be called the Future Stars Program. I have been told by some participants that the FGO YAP is second in prestige only to the YAP at the Met. I have heard the YAs in concerts, including at a most difficult venue -- the Aventura Mall. They were able, by dint of their excellence, to actually stop some shoppers from their rabid consumerism! I have performed with some of the YAs in concert with Orchestra Miami and they are as nice as they are talented.
On a personal note, I am looking forward to The Passenger this coming April. In that same concert I sang (behind) Robynne Redmon who is making her FGO debut as the Old Woman. I am very excited to see/hear her again!
I left the Arscht last night wondering why there were signs warning of strobe lights and pyrotechnics during the performance. It wasn't until this morning that I understood they were referring to VOCAL pyrotechnics -- and they were in abundance!
Mary Elizabeth Williams and Catherine Martin set the night on fire. As solo singers there was not a moment in which they did not sparkle. And, as Justin Moss pointed out, in Bellini (unlike Wagner) there is no place for the singers to hide in a cloud of sound. The glorious singing floated out to the house with power, emotion, and excellence throughout each aria. MEW sang a divinely inspired Casta Diva (and I heard Sutherland at the Met). We could have gone home satisfied after that, but I'm glad we didn't. The inspiration continued for another two hours!
Then, when you think you've heard it all, MEW and CM sing the overlapping double aria and took my breath away. THEN, when you think you've heard everything that can be done with human voices, they sing a duet over the sleeping (almost dead) children that sucked all the air out of the room. I was exhausted when they were done.
Pollione (Frank Porretta) did a passable job. He was the only lead who could not ( at least DID not) fill the house with glory. He was (at times) covered by the orchestra. Even worse, when he sang what should have been a powerful duet with MEW, he could just as well mouthed the words for all he could be heard.
About the production -- I am not always impressed by the productions at FGO, especially the lighting. The use of backlighting during Luisa Fernanda and The Consul was much more annoying than effective. Last night the lighting was as much a stellar character as any of the singers.
The use of color and shadow to set the proper tone and indicate a change of time was magnificently done. Thomas Hase deserved a place in the curtain calls! The unmuted colors matched the vocal fireworks perfectly. The sharp demarcations between light and shadow were beautifully executed. Especially I want to mention when Adalgisa crossed from the light into darkness (was she turning evil?) and was immediately lit by a spotlight -- a true indication of her innocence in the midst of the lies surrounding her. Fabulous!
The other great moment in lighting design occurred at the very end of the night -- As Norma and Pollione walked toward the pyre, their personae lost all color and became shadows (or shades, as Shakespeare would put it), foreshadowing (no pun intended) that there would be no further plot twists to save them for a happy ending. I was in awe.
Now -- I have to say I am disgusted with the community's response to FGO. Where are the people? These wonderful performances are woefully underattended. I feel sorry for the performers singing their hearts out to empty houses which makes even hearty applause seem sparse. I wish I could offer the suggestion of a solution.
Certainly the cost of a ticket is not outrageous. Season subscriptions for my partner and I (together) are less than a ticket for a single performance at the Met. Even better, our season tickets to FGO are less than what I had to pay to park my car at the Met for a single performance -- and my car did not even like opera!
We met with Max Kellogg regarding "Say Yes to Opera." We told him that the FGO performances are very underpriced. Tickets for the same performances at the Broward Center cost more. FGO should at least bring the Arscht prices to parity with the Broward Center. And yes, my partner made a pledge to SYTO. We chuckle each time we see his name in the program insert!
OK, Miami -- get your butts into these seats!
撰写日期：2016年1月30日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
Val1857
佛罗里达迈阿密47 条分享
2016年1月 • 好友
It is a great venue for Operas. The sound quality is superb! The theater is really made for Operas, the way the seating is arranged, it makes it accessible for everyone, and easy to see. It is a very nice theater. The performers are talented. Its just a pure pleasure to see an Opera here.
撰写日期：2016年1月29日
此点评为 Tripadvisor 会员所写的主观评论，并不代表 Tripadvisor LLC 的观点。 Tripadvisor 对点评进行检查。
MfromTO
加拿大多伦多18 条分享
I want to add that I saw a superb production of The Pearl Fishers with the FGO last year. In January, I saw the much raved about production at the Met. As I had expected, The Met was bigger,( more people) and grander ( great set) and more spectacular ( fabulous special effects like a tsunami rolling in almost on top of you). But was it better than the FGO? No. I found the FGO production much more moving, equally well sung, and much less busy trying to give a simple tale unnecessary relevance.
佛罗里达大歌剧院 (迈阿密) - 旅游景点点评 - Tripadvisor
关于佛罗里达大歌剧院的常见问题
- 佛罗里达大歌剧院附近的酒店：
- （0.02 公里）Gorgeous modern apartment in the heart of Miami
- （0.27 公里）ME迈阿密酒店
- （0.40 公里）迈阿密市中心希尔顿酒店
- （0.49 公里）迈阿密万豪酒店比斯坎湾
- （0.54 公里）DoubleTree by Hilton Grand Hotel Biscayne Bay
- 佛罗里达大歌剧院附近的餐厅：
- （0.04 公里）BRAVA by Brad Kilgore
- （0.08 公里）New York Pizza
- （0.12 公里）New York Roma Pizza
- （0.31 公里）Bistro Cafe
- （0.29 公里）Food@Science